Musical Characterization For Othello s Othello - 997 Words

Musical Characterization for Othello In Verdi’s Othello, the music is used by Verdi to characterize each character in the opera. It is the music who describes the audience the personality traits of each character. Moreover, music accompanies every scene in the opera. In many cases, we can know what is happening or what the character is feeling through the music the orchestra is playing. This is an innovative way to characterize the characters in an opera used by Verdi that do not fit into the traditional ways of Italian opera. This paper intends to describe Verdi’s textual and musical characterization of Othello. Othello is a Moor, general of the Venetian republic. He has passed his fortieth years. He presents the brave, loyal figure of a man of arms. Simply in his bearing and in his gestures, imperious in his commands, cool in his judgement. The scene that follows the duet in Act I should suffice to reveal these gifts of temperaments. This act shows him in all his strength, in all his glory, in all his r adiance. His first words proclaim victory in a voice of thunder amid the tempest. His last words exhale a sigh of love upon a kiss. First, we should see the hero, then the lover, and we must perceive the hero in all his greatness to understand how worthy he is of love, and how great his capacity for passionate devotion. Then from that prodigious love a fearful jealousy will be born through the cunning agency of Iago. Reason and justice govern Othello’s actions up to theShow MoreRelatedOthello s Influence On The World Of Opera1295 Words   |  6 PagesVerdi’s Othello has had a profound influence on the world of opera, and considered by many critics to be his best work. Othello has been performed throughout the world, debuting in over 25 countries within the first fifty years of its creation (Stanford). It has been performed all over the globe by world-renowned operettists, in theatres such as the Lincoln Center in New York, the Sydney Opera House in Sydney, and the Bol shoi in Russia. Othello is about a general who is led to believe his wife isRead More William Shakespeares Use of Song in the Early Comedies3188 Words   |  13 PagesShakespeares Use of Song in the Early Comedies Undertaken to determine what features make a song germane to the story in successful musical theater, this study outlines some characteristics of Shakespeares use of song. Chosen from the plays with which the present author is most familiar-the early comedies-are three substantial pieces (each headed in the play by either Song or sing, and each with at least two stanzas and refrain): You Spotted Snakes, Sigh No More, and Under the GreenwoodRead MoreAmerican Literature11652 Words   |  47 PagesChristian utopia Genre/Style: ï‚ · ï‚ · ï‚ · ï‚ · ï‚ · sermons, diaries personal narratives captivity narratives jeremiads written in plain style Effect: ï‚ · ï‚ · instructive reinforces authority of the Bible and church Historical Context: ï‚ · ï‚ · a person s fate is determined by God all people are corrupt and must be saved by Christ Rationalism / Age of Enlightenment period of American Literature - 1750-1800 Content: ï‚ · ï‚ · ï‚ · ï‚ · national mission and American character democratic utopia use of reasonRead MoreLangston Hughes Research Paper25309 Words   |  102 Pagesexperienced similar symptoms as a teenager during his miserable summer in Mexico, Hughes knew he needed a fresh environment. At Rose Valley, Pennsylvania, the Hedgerow Players had a repertory theater in an old mill. There he watched productions of Othello by Shakespeare, The Emperor Jones by Eugene ONeill, and The Devils Disciple by George Bernard Shaw. Hughes wrote, Im getting a sort of inside slant on the theatre, watching the rehearsals and plays every night. Later, he became assistant to Jasper